{"id":1317,"date":"2019-05-20T16:46:09","date_gmt":"2019-05-20T14:46:09","guid":{"rendered":"https:\/\/vere.fund\/?p=1317"},"modified":"2022-04-08T05:16:57","modified_gmt":"2022-04-08T03:16:57","slug":"frants-ksaver-motsart-na-knyzhkovomu-arsenali-2019-motsartnash","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/franz-xaver-mozart-at-the-book-arsenal-festival-2019-motsartnash\/","title":{"rendered":"Franz Xaver Mozart at the Book Arsenal Festival 2019: #\u041c\u043e\u0446\u0430\u0440\u0442\u041d\u0430\u0448"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Young Ukrainian musicians supported by the VERE MUSIC FUND are playing music by Franz Xaver Mozart. This composer is one of the most symbolic figures that connects us with Europe. This evening in Kyiv, for the first time in almost 200 years after the Kyiv concert performed by Mozart of Lviv himself, his pieces for piano, violin, cello, flute, and vocal miniatures will be performed.<\/p>\n

He was 17 when he left his native Vienna for the backyard of the Austro-Hungarian Empire to earn money and assert himself as a musician. And he accomplished just that. Although the shadow of his brilliant father hovered over him all his life. He never managed to get away from that shadow. Wolfgang Amadeus Mozart (son) was the way his name was written on the posters and covers. 30 out of 53 years of his life Mozart’s youngest son spent in Ukraine. This fact has been forgotten for a while. But today it’s time for us to remember that #\u043c\u043e\u0446\u0430\u0440\u0442\u043d\u0430\u0448!<\/p>\n

The concert will take place within the framework of the Musical Program \u201cImaginary Dances\u201d by curator Lyubov Morozova at the Book Arsenal 2019.<\/p>\n

The project participants are: pianists Antonii Baryshevskyi, Oleksandr Leonov, Kateryna Khomiakova, Kostiantyn Tovstukha, Maksym Shadko, Antuanetta Mishchenko, Stanislav Guminiuk, Roman Lopatynskyi, flutist Yaroslav Vodovozov, violinist Oleksandra Khmara, and cellist Artem Poludennyi.<\/p>\n

<\/p>\n

PROGRAM<\/p>\n

Final edition of Rondo in F Major for piano by Wolfgang Amadeus Mozart (1802).
\nAntony Baryshevsky, piano<\/p>\n

Rondo in E Minor for flute and piano.
\nYaroslav Vodovozov, flute, Oleksandr Leonov, piano<\/p>\n

Polonaise in B Minor from the cycle “Six Melancholy Polonaises\u201d, Op. 17, No. 1.
\nVariations in C Major on a Waltz by Anton Diabelli, FXWM VII: 35 (1824).
\nKateryna Khomiakova, piano<\/p>\n

Violin Sonata in F Major, Op. 15.
\nOleksandra Khmara, violin, Kostya Tovstukha, piano<\/p>\n

Sonata for piano in G Major, Op. 10, second movement \u2013 Largo (1808).
\nRondo in F Major, Op. 4 (1805).
\nThree pieces \u2013 Allegretto in F Major, Andantino in A Major and Allegretto in G Major (1841).
\nMax Shadko, piano<\/p>\n

INTERMISSION<\/p>\n

Four dances for a piano: March (1809), L\u00e4ndler (1810), Two German dances (1812).
\nAntuanetta Mishchenko, piano<\/p>\n

Variations for a piano on Menuet from the Don Giovanni finale by Wolfgang Amadeus Mozart, Op. 2 (1805).
\nStas Guminiuk, piano<\/p>\n

Cello Sonata in G Major, Op. 19.
\nNotaBene Duo: Artem Poludennyi, cello, Roman Lopatynskyi, piano<\/p>\n

#classicmusic<\/a> #classicalmusic<\/a> #talentedmusicians<\/a> #concert<\/a> #veremusicfund<\/a> #\u041c\u043e\u0446\u0430\u0440\u0442\u041d\u0430\u0448[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]Young Ukrainian musicians supported by the VERE MUSIC FUND are playing music by Franz Xaver Mozart. This composer is one of the most symbolic figures that connects us with Europe. This evening in Kyiv, for the first time in almost 200 years after the Kyiv concert performed by Mozart of Lviv himself, his pieces for […]<\/p>\n","protected":false},"author":3,"featured_media":1318,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[71],"tags":[],"class_list":["post-1317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2019\/12\/FB_banner_CUT_1-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/1317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=1317"}],"version-history":[{"count":2,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/1317\/revisions"}],"predecessor-version":[{"id":2326,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/1317\/revisions\/2326"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/1318"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=1317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=1317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=1317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}