{"id":2098,"date":"2021-09-07T11:26:28","date_gmt":"2021-09-07T09:26:28","guid":{"rendered":"https:\/\/vere.fund\/?p=2098"},"modified":"2021-09-07T11:42:57","modified_gmt":"2021-09-07T09:42:57","slug":"krok-do-shhastya-frank-brams-dvorzhak","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/a-step-to-happiness-frank-brahms-dvorak-2\/","title":{"rendered":"A Step to Happiness: Frank, Brahms, Dvo\u0159\u00e1k"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]August 27, 6 pm, Lviv National Philharmonic (Tchaikovsky St., 7).<\/p>\n<p> <\/p>\n<p>A special project that was created as a part of the LvivMozArt festival by the VERE MUSIC FUND. You will listen to the romantic chamber\u2019s music program, performed by the most talented young musicians of the country. The second half of the 19th century gave a new understanding of the aesthetics of late Romanticism and endowed chamber music with a special meaning. Without exaggeration, the pieces that will be performed in the concert have played a symbolic role in the composers\u2019 work: Cesar Frank, Johannes Brahms and Antonin Dvo\u0159\u00e1k.<\/p>\n<p> <\/p>\n<p>Program:<\/p>\n<p> <\/p>\n<p>C\u00e9sar Franck &#8211; Violin sonata in A major, FWV 8, for violin and piano (1886)<\/p>\n<p> <\/p>\n<p>I. Allegretto ben moderato<br \/>\nII. Allegro<br \/>\nIII. Recitativo &#8211; Fantasia<br \/>\nIV. Allegretto poco mosso<\/p>\n<p> <\/p>\n<p>Daniil Gonobolin (violin),<br \/>\nDmytro Choni (piano)<\/p>\n<p> <\/p>\n<p> <\/p>\n<p>Johannes Brahms &#8211; Piano Quartet No. 2 in A major, Op. 26, for violin, viola, cello and piano (1861)<\/p>\n<p> <\/p>\n<p>I. Allegro non troppo<\/p>\n<p> <\/p>\n<p>Varvara Vasylieva (violin),<br \/>\nVladyslav Osadchyi (viola),<br \/>\nArsen Pakholyuk (cello),<br \/>\nRoman Lopatynskyi (piano)<\/p>\n<p> <\/p>\n<p> <\/p>\n<p>Anton\u00edn Dvo\u0159\u00e1k &#8211; Piano Quintet No. 2 in A major, Op. 81, B. 155, for 2 violins, viola, cello and piano (1887)<\/p>\n<p> <\/p>\n<p>I. Allegro, ma non tanto<br \/>\nII. Dumka: Andante con moto<br \/>\nIII. Scherzo (Furiant): molto vivace<br \/>\nIV.Finale: Allegro<\/p>\n<p> <\/p>\n<p>Varvara Vasylieva (violin),<br \/>\nDaniil Gonobolin (violin),<br \/>\nVladyslav Osadchyi (viola),<br \/>\nArsen Pakholyuk (cello),<br \/>\nDmytro Choni (piano)[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]August 27, 6 pm, Lviv National Philharmonic (Tchaikovsky St., 7). A special project that was created as a part of the LvivMozArt festival by the VERE MUSIC FUND. You will listen to the romantic chamber\u2019s music program, performed by the most talented young musicians of the country. The second half of the 19th century gave [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22,71],"tags":[],"class_list":["post-2098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-muzykanty-novosti","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2021\/08\/LMA_FB_Cover_Step_to_Happiness_1920x1005px_BW_REV_LOGO_Black_UA-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/2098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=2098"}],"version-history":[{"count":3,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/2098\/revisions"}],"predecessor-version":[{"id":2101,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/2098\/revisions\/2101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/2095"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=2098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=2098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=2098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}