{"id":2166,"date":"2021-11-11T13:20:08","date_gmt":"2021-11-11T11:20:08","guid":{"rendered":"https:\/\/vere.fund\/?p=2166"},"modified":"2022-11-14T18:35:30","modified_gmt":"2022-11-14T16:35:30","slug":"vere-music-new-year-2022","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/vere-music-new-year-2022\/","title":{"rendered":"VERE MUSIC New Year 2022"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]VERE MUSIC New Year 2022<\/p>\n<p>December 26, 2021, 6:30 pm<br \/>\nNational Philharmonic of Ukraine (2, Volodymyrsky Descent)<\/p>\n<p>Who are you celebrating New Year and Christmas with? We are celebrating it together with Vivaldi, Mozart, Salieri, Tchaikovsky, Miyo, Lutos\u0142awski and Eduard Holst)<\/p>\n<p>This winter project of the VERE MUSIC FUND charity foundation brings together talented Ukrainian musicians who have taken part in so many incredible events with us over the past year!<\/p>\n<p>We will tell you all about it on December 26 at the National Philharmonic of Ukraine.<\/p>\n<p>TCHAIKOVSKY \/ MILHAUD \/ LUTOS\u0141AWSKI \/ HOLST<br \/>\nConcert in the lobby at 6.30 pm.<\/p>\n<p>Petro Tchaikovsky<br \/>\n&#8220;Miniature Overture&#8221; and &#8220;Waltz of the Flowers&#8221; from the Nutcracker Suite for four hands, Op. 71\u0430.<\/p>\n<p>Darius Milhaud<br \/>\nScaramouche Suite for two pianos, O\u0440. 165b:<br \/>\nI. Vif<br \/>\nII. Mod\u00e9r\u00e9<br \/>\nIII. Brazileira: Mouvement de samba<\/p>\n<p>Witold Lutos\u0142awski<br \/>\nVariations on a theme by Paganini for two pianos (by Nicol\u00f2 Paganini&#8217;s Caprice No. 24 in A minor for violin solo).<\/p>\n<p><strong>Mykhailo Diordiev<\/strong>, <strong>Mariia Klymenko<\/strong> (piano)<\/p>\n<p>Eduard Holst<br \/>\n&#8220;Shooting Stars Galop&#8221; for two pianos, eight hands.<\/p>\n<p><strong>Antonii Baryshevskyi<\/strong>, <strong>Roman Lopatynskyi<\/strong>, <strong>Mykhailo Diordiev<\/strong>, <strong>Mariia Klymenko<\/strong> (piano)<\/p>\n<p> <\/p>\n<p>VIVALDI \/ MOZART<br \/>\nConcert in the Column Hall named after Mykola Lysenko at 7 pm.<\/p>\n<p>Antonio Vivaldi<br \/>\nConcerto No. 8 for two violins, chamber orchestra and basso continuo in A minor from &#8220;L\u2019estro armonico&#8221; (The Harmonic Inspiration), Op. 3, RV 522:<br \/>\nI. Allegro<br \/>\nII. Larghetto e spiritoso<br \/>\nIII. Allegro<\/p>\n<p><strong>Valerii Sokolov<\/strong>, <strong>Sofia Plakhtsinska<\/strong> (violin)<br \/>\nHarpsichord \u2013 <strong>Paola Prokopenko<\/strong><\/p>\n<p>Antonio Vivaldi<br \/>\nConcerto No. 10 for four violins, chamber orchestra and basso continuo in B minor from &#8220;L\u2019estro armonico&#8221; (The Harmonic Inspiration), Op. 3, RV 580:<br \/>\nI. Allegro<br \/>\nII. Largo \u2013 Larghetto<br \/>\nIII. Allegro<\/p>\n<p><strong>Valeriy Sokolov<\/strong>, <strong>Iryna Borysova<\/strong>, <strong>Diana Koval<\/strong>, <strong>Kateryna Markina<\/strong> (violin)<br \/>\nHarpsichord \u2013 <strong>Paola Prokopenko<\/strong><\/p>\n<p>Wolfgang Amadeus Mozart<br \/>\nSinfonia Concertante for violin, viola and orchestra in E-flat major, K. 364\/320d:<br \/>\nI. Allegro maestoso<br \/>\nII. Andante<br \/>\nIII. Presto<\/p>\n<p><strong>Varvara Vasylieva<\/strong> (violin), <strong>Vladyslav Osadchyi<\/strong> (viola)<\/p>\n<p>Wolfgang Amadeus Mozart<br \/>\nConcerto No. 10 for two pianos and orchestra in E-flat major, K. 365\/316a:<br \/>\nI. Allegro<br \/>\nII. Andante<br \/>\nIII. Rondo: Allegro<\/p>\n<p><strong>Antonii Baryshevskyi<\/strong>, <strong>Roman Lopatynskyi<\/strong> (piano)<\/p>\n<p>Academic Symphony Orchestra of the National Philharmonic of Ukraine<br \/>\nConductor \u2013 <strong>Antonii Kedrovskyi<\/strong><\/p>\n<p> <\/p>\n<p>SALIERI<br \/>\nIntermission \u2013 concert in the lobby at 7.40 pm.<\/p>\n<p>Antonio Salieri<br \/>\nSinfonia from &#8220;Il Moro&#8221;.<br \/>\nSinfonia in D major.<\/p>\n<p><strong>Daniil Gonobolin<\/strong> (violin), <strong>Roman Nykorovych<\/strong> (violin), <strong>Vladyslav Osadchyi<\/strong> (viola), <strong>Arsen Pakholyuk<\/strong> (cello)<\/p>\n<p>Antonio Salieri<br \/>\nConcertino da camera for flute and strings in G major:<br \/>\nI. Allegro<br \/>\nII. Andante<br \/>\nIII. Minuetto<br \/>\nIV. Allegro<\/p>\n<p><strong>Yaroslav Vodovozov<\/strong> (flute), <strong>Daniil Gonobolin<\/strong> (violin), <strong>Roman Nykorovych<\/strong> (violin), <strong>Vladyslav Osadchyi<\/strong> (viola), <strong>Arsen Pakholyuk<\/strong> (cello)<\/p>\n<p>By invitation.<\/p>\n<p>#classicmusic #classicalmusic #talentedmusicians #concert #piano #violin #viola #cello #harpsichord #VereMusicFund #Kyiv[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]VERE MUSIC New Year 2022 December 26, 2021, 6:30 pm National Philharmonic of Ukraine (2, Volodymyrsky Descent) Who are you celebrating New Year and Christmas with? We are celebrating it together with Vivaldi, Mozart, Salieri, Tchaikovsky, Miyo, Lutos\u0142awski and Eduard Holst) This winter project of the VERE MUSIC FUND charity foundation brings together talented Ukrainian [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2167,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[71],"tags":[],"class_list":["post-2166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2021\/11\/VM_NY_2022-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/2166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=2166"}],"version-history":[{"count":12,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/2166\/revisions"}],"predecessor-version":[{"id":2901,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/2166\/revisions\/2901"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/2167"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=2166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=2166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=2166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}