{"id":3657,"date":"2023-07-20T05:43:31","date_gmt":"2023-07-20T03:43:31","guid":{"rendered":"https:\/\/vere.fund\/?p=3657"},"modified":"2024-03-18T12:37:01","modified_gmt":"2024-03-18T10:37:01","slug":"debyussi-ravel-sasko-sylvestrov-solnyj-kontsert-poliny-sasko-fortepiano","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/ua-debyussi-ravel-sasko-sylvestrov-solnyj-kontsert-poliny-sasko-fortepiano\/","title":{"rendered":"Debussy \/ Ravel \/ Sasko \/ Silvestrov: concert by Polina Sasko (piano)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]\u26a1\ufe0f\u00a0September 11, 7 pm\u00a0\u2013 MUSIC HUB (Kyiv, Malopidvalna St., 21\/8).<\/p>\n<p>ENTRY BY INVITATION. Registration link: <a href=\"https:\/\/forms.gle\/U5UjfnwsF8asbrje9\">https:\/\/forms.gle\/U5UjfnwsF8asbrje9<\/a>.<\/p>\n<p>Claude Debussy<br \/>\nThree preludes for solo piano.<br \/>\n&#8220;Les Sons et les parfums tournent dans l&#8217;air du soir&#8221;, Book I No. 4, CD. 125 L. 117 (1909-10).<br \/>\n&#8220;La Puerta del Vino&#8221;, Book II No. 3, CD. 131 L. 123 (1912-13).<br \/>\n&#8220;Ondine&#8221;, Book II No. 8, CD. 131 L. 123 (1912-13).<\/p>\n<p>Gennady Sasko<br \/>\n&#8220;Spring Colors&#8221; for piano (1995\/2002).<br \/>\nI. Lilac garden<br \/>\nII. Green<br \/>\nIII. Blue-blue distance<br \/>\nIV. White shadows of clouds<br \/>\nV. Sakura blooms<br \/>\nVI. Silvery rain<\/p>\n<p>Maurice Ravel<br \/>\nSonatine F-sharp minor, M. 40 (1903-05).<br \/>\nDedicated to Ida and Cipa Godebski.<br \/>\nI. Mod\u00e9r\u00e9.<br \/>\nII. Mouvement de menuet.<br \/>\nIII. Anim\u00e9.<\/p>\n<p>Valentin Silvestrov<br \/>\nPostludium, Op. 5 (2005).<\/p>\n<p>Polina Sasko (piano)<\/p>\n<p>\ud83d\udccc Mandatory registration in the google form at the link \u2013 \u00a0<a href=\"https:\/\/forms.gle\/U5UjfnwsF8asbrje9\">https:\/\/forms.gle\/U5UjfnwsF8asbrje9<\/a>.\u00a0We will try to invite as many registered listeners as possible.<\/p>\n<p>* * *<\/p>\n<p>MUSIC HUB is a space for young musicians and listeners, created by the VERE MUSIC FUND foundation. It combines the upper hall with 100 seats \u2013 for concerts, recordings, master classes, lectures, etc., as well as the lower rehearsal hall. His address is Kyiv, Malopidvalna Street, 21\/8.<\/p>\n<p>#classicmusic #classicalmusic #talentedmusicians #VereMusicFund #VereMusicHub #concert[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]\u26a1\ufe0f\u00a0September 11, 7 pm\u00a0\u2013 MUSIC HUB (Kyiv, Malopidvalna St., 21\/8). ENTRY BY INVITATION. Registration link: https:\/\/forms.gle\/U5UjfnwsF8asbrje9. Claude Debussy Three preludes for solo piano. &#8220;Les Sons et les parfums tournent dans l&#8217;air du soir&#8221;, Book I No. 4, CD. 125 L. 117 (1909-10). &#8220;La Puerta del Vino&#8221;, Book II No. 3, CD. 131 L. 123 (1912-13). [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":3658,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,71],"tags":[],"class_list":["post-3657","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2023\/07\/polina_sasko-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/3657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=3657"}],"version-history":[{"count":8,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/3657\/revisions"}],"predecessor-version":[{"id":4307,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/3657\/revisions\/4307"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/3658"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=3657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=3657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=3657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}