{"id":3785,"date":"2023-09-27T11:17:22","date_gmt":"2023-09-27T09:17:22","guid":{"rendered":"https:\/\/vere.fund\/?p=3785"},"modified":"2024-03-18T11:52:19","modified_gmt":"2024-03-18T09:52:19","slug":"nevidomyj-ukrayinskyj-modernizm-yanovskyj-yakymenko-senytsya","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/ua-nevidomyj-ukrayinskyj-modernizm-yanovskyj-yakymenko-senytsya\/","title":{"rendered":"Unknown Ukrainian Modernism: Yanovskyi \/ Yakymenko \/ Senytsia"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]\u26a1\ufe0f December 18, 6 pm \u2013 MUSIC HUB (Kyiv, Malopidvalna St., 21\/8).<\/p>\n

6 pm
\nA lecture by composer Oleksii Shmurak.<\/p>\n

7 pm
\nConcert.<\/p>\n

ENTRY BY INVITATION. Registration link: https:\/\/forms.gle\/qo8phvCnwU9SLcqd7<\/a>.<\/p>\n

Program:<\/p>\n

Borys Yanovskyi
\nEnnui. Cinq m\u00e9lopo\u00e9sies \/ “Boredom”, five melopoems based on poems by Maurice Maeterlinck.<\/p>\n

1. Ennui \/ Boredom (1903).
\n2. Ronde d\u2019ennui \/ Circle of Boredom (1903).
\n3. Attente \/ Waiting (1903).
\n4. Reflets \/ Reflection (1903).
\n5. Et s\u2019il revenait un jour. M\u00e9lodialogue \/ “And if he ever comes back”. Melodiologue (1906).<\/p>\n

Borys Yanovskyi
\n“No Bullets to Spare”. Poems by Pavlo Usenko \/ Matvienko (1925).<\/p>\n

Roman Melish (countertenor)
\nTymish Melnyk (piano)<\/p>\n

Pavlo Senytsia
\n“A Shepherd’s Song” (1916).
\n“A Girl’s Song” (1924).
\n“Pavlo Tychyna”, a musical portrait (1923).
\n“A Look, a Smile and a Movement” (1924).
\n“Once upon a time in the evening”, musical drawing (1915).
\n“A Song without Words” (1906).
\n“A Human Being”, two sketches (1918).<\/p>\n

Tymish Melnyk (piano)<\/p>\n

Fedir Yakymenko
\nFive sketches from the cycle \u201cPages de po\u00e9sie fantasque\u201d \/ \u201cPages of whimsical poetry\u201d for piano (1908).
\n1. R\u00eave d’une source \/ “The Dream of the Source”.
\n2. Fant\u00f4mes passagers \/ “Wandering Ghosts”.
\n3. Mirages fugitifs \/ “Fleeting mirages”.
\n4. Chanson des rayons de lune \/ “Song of Moonbeams”.
\n5. Paysages d’un monde inconnu \/ “Landscapes of an Unknown World”.<\/p>\n

Pavlo Senytsia
\n“The Last Ray Faded”, poems by Meletii Kichura (1914).
\n“The Moon in Love with the Night”, poems by Oleksandr Oles (1912).
\n“Oh, there is no one to say a sincere word”, poems by Mykola Kovalenko (1912).
\n“I Have Not Prayed for a Long Time”, poems by Mykola Filianskyi (1912).
\n“House”, poems by N. Khlebnikova (1925).<\/p>\n

Roman Melish (countertenor)
\nTymish Melnyk (piano)
\nOleksii Shmurak (curator)<\/p>\n

\ud83d\udccc Mandatory registration in the google form at the link \u2013 https:\/\/forms.gle\/qo8phvCnwU9SLcqd7<\/a>. We will try to invite as many registered listeners as possible.<\/p>\n

* * *<\/p>\n

MUSIC HUB is a space for young musicians and listeners, created by the VERE MUSIC FUND. It combines the upper hall with 100 seats \u2013 for concerts, recordings, master classes, lectures, etc., as well as the lower rehearsal hall. His address is Kyiv, Malopidvalna Street, 21\/8.<\/p>\n

#classicmusic #classicalmusic #talentedmusicians #VereMusicFund #VereMusicHub #concert[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]\u26a1\ufe0f December 18, 6 pm \u2013 MUSIC HUB (Kyiv, Malopidvalna St., 21\/8). 6 pm A lecture by composer Oleksii Shmurak. 7 pm Concert. ENTRY BY INVITATION. Registration link: https:\/\/forms.gle\/qo8phvCnwU9SLcqd7. Program: Borys Yanovskyi Ennui. Cinq m\u00e9lopo\u00e9sies \/ “Boredom”, five melopoems based on poems by Maurice Maeterlinck. 1. Ennui \/ Boredom (1903). 2. Ronde d\u2019ennui \/ Circle […]<\/p>\n","protected":false},"author":14,"featured_media":3787,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,71],"tags":[],"class_list":["post-3785","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2023\/09\/382710401_305063775461979_6065215978661945103_n-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/3785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=3785"}],"version-history":[{"count":8,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/3785\/revisions"}],"predecessor-version":[{"id":4300,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/3785\/revisions\/4300"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/3787"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=3785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=3785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=3785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}