{"id":5222,"date":"2024-11-12T14:28:35","date_gmt":"2024-11-12T12:28:35","guid":{"rendered":"https:\/\/vere.fund\/?p=5222"},"modified":"2024-11-28T17:08:27","modified_gmt":"2024-11-28T15:08:27","slug":"novi-kaprysy-ta-etyudy-orest-smovzh-skrypka-zapys-akim-zvarych-kristina-gordiyenko-skrypka","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/ua-novi-kaprysy-ta-etyudy-orest-smovzh-skrypka-zapys-akim-zvarych-kristina-gordiyenko-skrypka\/","title":{"rendered":"New Caprices and Etudes. Orest Smovzh (violin &#8211; recording), Akim Zvarych, Krystyna Gordienko (violin)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]\u26a1\ufe0f November 28, 7 pm \u2013 VERE MUSIC HUB (Kyiv, Malopidvalna St., 21\/8).<br \/>\nRegistration of listeners:\u00a0<a href=\"https:\/\/forms.gle\/wgwR8dCiJRRsF3Qr8\">https:\/\/forms.gle\/wgwR8dCiJRRsF3Qr8<\/a>.<\/p>\n<p>Around 1972, an almost epidemiological outbreak of caprices and etudes for solo violin began in the violin repertoire. This process, growing with each passing decade, reached the level of a separate phenomenon, but remained almost unnoticed. The new caprices and etudes resonate with the needs of new violinists who redefine the boundaries of the instrument and create new virtuosity.<\/p>\n<p>The project, curated by Orest Smovzh, will feature caprices and etudes, both recorded by Orest and performed live by violinist and composer Akim Zvarych and violinist Krystyna Gordienko. The program will feature works specially written for this program by young Ukrainian composers in combination with several pieces by world-renowned authors, illustrating the phenomenon of search, boundary breaking and self-expression that has not yet been noticed by the general music audience.<\/p>\n<p>The project is the winner of the Per Forma grant program, implemented by the Kyiv Contemporary Music Days platform with the support of the Performing Arts Fund NL and the Ministry of Education, Culture and Science of the Netherlands to develop the performing arts sector in Ukraine.<\/p>\n<p>\ud83c\udfb6 Program:<\/p>\n<p>Sander Hermanus<br \/>\nCapriccio voor Genoeg Vioolsnaren \/ Caprice for enough strings (1999).<\/p>\n<p>Helmut Lachenmann<br \/>\nToccatina (1986\/2021).<\/p>\n<p>Oleksii Shmurak<br \/>\nLust Study (2024).<\/p>\n<p>Adrian Mocanu<br \/>\nLa Fantas\u00eda Abandonada de la Raz\u00f3n (2024).<\/p>\n<p>Oleksandr Chornyi<br \/>\nMaterial Etude I (2024).<\/p>\n<p>Oleksandra Katsalap<br \/>\nA study or rather a test of the character of a virtuoso performer, a fragment (2024).<\/p>\n<p>Oleksandr Chornyi<br \/>\nPeable Study (2024).<\/p>\n<p>Salvatore Sciarrino<br \/>\nSei Nuovi Capricci e un Saluto (2023).<\/p>\n<p>No. 1 Ampio, si Piega il Canto.<br \/>\nNo. 4 Scorrevole.<\/p>\n<p>Maksym Ivanov<br \/>\n15 small caprices (2024).<\/p>\n<p>No. 7 Furioso.<\/p>\n<p>Alisa Zaika<\/p>\n<p class=\"p1\">Geo&#8217;s Avtoportret<\/p>\n<p>. Caprice for violin and male voice for one performer (2024).<\/p>\n<p>Akim Zvarych<br \/>\nForced Caprices or Four Scenes for Violin Solo (2024).<br \/>\nPizzicato.<\/p>\n<p>Serhii Vilka<br \/>\nEtude for stringed instrument (2024).<\/p>\n<p>J\u00f6rg Widmann<br \/>\nEtude I (1995).<\/p>\n<p>Orest Smovzh (violin &#8211; recording)<br \/>\nAkim Zvarych (violin)<br \/>\nKrystyna Gordienko (violin)<\/p>\n<p>\ud83d\udccc Mandatory registration in the google form at the link \u2013 <a href=\"https:\/\/forms.gle\/wgwR8dCiJRRsF3Qr8\">https:\/\/forms.gle\/wgwR8dCiJRRsF3Qr8<\/a>. We will try to invite as many registered listeners as possible.<\/p>\n<p>\ud83d\udcf8 Photo credit: Elza Zherebchuk.<\/p>\n<p>* * *<\/p>\n<p>VERE MUSIC HUB is a space for young musicians and listeners, created by the VERE MUSIC FUND foundation. It combines the upper hall with 100 seats \u2013 for concerts, recordings, master classes, lectures, etc., as well as the lower rehearsal hall. His address is Kyiv, Malopidvalna Street, 21\/8.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]\u26a1\ufe0f November 28, 7 pm \u2013 VERE MUSIC HUB (Kyiv, Malopidvalna St., 21\/8). Registration of listeners:\u00a0https:\/\/forms.gle\/wgwR8dCiJRRsF3Qr8. Around 1972, an almost epidemiological outbreak of caprices and etudes for solo violin began in the violin repertoire. This process, growing with each passing decade, reached the level of a separate phenomenon, but remained almost unnoticed. The new [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":5223,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[100,8,7],"tags":[],"class_list":["post-5222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vere-music-hub","category-novosti","category-fond"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2024\/11\/463406438_533685539266467_4074252506534673043_n-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/5222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=5222"}],"version-history":[{"count":16,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/5222\/revisions"}],"predecessor-version":[{"id":5299,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/5222\/revisions\/5299"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/5223"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=5222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=5222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=5222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}