{"id":5368,"date":"2025-01-02T17:22:26","date_gmt":"2025-01-02T15:22:26","guid":{"rendered":"https:\/\/vere.fund\/?p=5368"},"modified":"2025-01-02T17:23:16","modified_gmt":"2025-01-02T15:23:16","slug":"en-benjamin-britten-anastasia-zokhniuk-cello-vitalii-dvorovyi-piano","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/benjamin-britten-anastasia-zokhniuk-cello-vitalii-dvorovyi-piano\/","title":{"rendered":"Benjamin Britten. Anastasia Zokhniuk (cello), Vitalii Dvorovyi (piano)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]\u26a1\ufe0f January 29, 7 pm \u2013 VERE MUSIC HUB (Kyiv, Malopidvalna St., 21\/8). Registration of listeners: <a href=\"https:\/\/forms.gle\/9rU9eRtMmAwQf7uq7\">https:\/\/forms.gle\/9rU9eRtMmAwQf7uq7<\/a>.<\/p>\n<p>\ud83c\udfb6 Program:<\/p>\n<p>Benjamin Britten<br \/>\nSuite No. 1 for solo cello, Op. 72. Edited by Mstislav Rostropovich (1964).<br \/>\nCanto primo: Sostenuto e largamente.<\/p>\n<p>I. Fuga: Andante moderato.<br \/>\nII. Lamento: Lento rubato.<br \/>\nCanto segundo: Sostenuto.<br \/>\nIII. Serenata: Allegretto, pizzicato.<br \/>\nIV. Marcia: Alla marcia moderato.<br \/>\nCanto terzo: Sostenuto.<br \/>\nV. Bordone: Moderato quasi recitativo.<br \/>\nVI. Moto perpetuo e Canto quarto: Presto.<\/p>\n<p>Cello Sonata in C major, Op. 65 (1961). Dedicated to Mstislav Rostropovich.<\/p>\n<p>I. Dialogo. Allegro.<br \/>\nII. Scherzo-pizzicato. Allegretto.<br \/>\nIII. Elegia. Lento.<br \/>\nIV. Marcia. Energico.<br \/>\nV. Moto Perpetuo. Presto.<\/p>\n<p>Anastasia Zokhniuk (cello)<br \/>\nVitalii Dvorovyi (piano)<\/p>\n<p>\ud83d\udccc Mandatory registration in the google form at the link \u2013<a href=\"https:\/\/forms.gle\/9rU9eRtMmAwQf7uq7\">https:\/\/forms.gle\/9rU9eRtMmAwQf7uq7<\/a>. We will try to invite as many registered listeners as possible.<\/p>\n<p>* * *<\/p>\n<p>VERE MUSIC HUB<br \/>\nThis is an artistic ecosystem \u2013 a space for young musicians and listeners created by the VERE MUSIC FUND. It consists of an upper hall with 100 seats for concerts, recordings, master classes, lectures, etc. and a lower rehearsal hall. The venue is located at 21\/8 Malopidvalna Street, Kyiv.<\/p>\n<p>VERE MUSIC FUND<br \/>\nA charitable fund established in 2017 by Tetiana Verevska. The Fund provides grants to Ukrainian musicians to participate in international competitions and master classes, and implements festival projects and educational initiatives. It also supports international music competitions in Ukraine.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]\u26a1\ufe0f January 29, 7 pm \u2013 VERE MUSIC HUB (Kyiv, Malopidvalna St., 21\/8). Registration of listeners: https:\/\/forms.gle\/9rU9eRtMmAwQf7uq7. \ud83c\udfb6 Program: Benjamin Britten Suite No. 1 for solo cello, Op. 72. Edited by Mstislav Rostropovich (1964). Canto primo: Sostenuto e largamente. I. Fuga: Andante moderato. II. Lamento: Lento rubato. Canto segundo: Sostenuto. III. Serenata: Allegretto, pizzicato. [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":5369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[100,71],"tags":[],"class_list":["post-5368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vere-music-hub","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2025\/01\/471730085_582531387715215_4147333916662821772_n-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/5368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=5368"}],"version-history":[{"count":2,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/5368\/revisions"}],"predecessor-version":[{"id":5371,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/5368\/revisions\/5371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/5369"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=5368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=5368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=5368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}