{"id":6277,"date":"2026-01-28T17:24:57","date_gmt":"2026-01-28T15:24:57","guid":{"rendered":"https:\/\/vere.fund\/?p=6277"},"modified":"2026-02-17T22:16:00","modified_gmt":"2026-02-17T20:16:00","slug":"live-fedir-yakymenko-150-oleksandr-olijnyk-fortepiano","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/ua-live-fedir-yakymenko-150-oleksandr-olijnyk-fortepiano\/","title":{"rendered":"LIVE! Theodore Akimenko 150. Oleksandr Oliinyk (piano)"},"content":{"rendered":"

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https:\/\/bit.ly\/4rhOQ9U<\/a><\/p>\n

\"\u26a1\ufe0f\"<\/span>\u00a0February 20, 7 pm (Kyiv time) or 6 pm (CET) \u2013 VERE MUSIC FUND YouTube channel.<\/p>\n

Let’s celebrate the 150th anniversary of Ukrainian modernist Fedir Yakymenko together!<\/p>\n

\"\ud83c\udfb6\"<\/span>\u00a0Program:<\/p>\n

Yakiv Stepovyi<\/p>\n

2 Preludes, \u041e\u0440. 12 (1913).
\u0406\u0406. Larghetto.
“To brother of mine Fedor Stepanovych Akimenko.”<\/p>\n

Theodore Akimenko<\/p>\n

“R\u00e9miniscence”. Mazurka, \u041e\u0440. 26 (1904). Dedicated to Mademoiselle I\u00e9laguine.<\/p>\n

Fantaisie, \u041e\u0440. 26bis (1904). Dedicated to Klavdiia Semenovna Trailina.<\/p>\n

“Caprices des harmonies”. 21 Prelude-Miniatures for piano, \u041e\u0440. 62bis (1914).<\/p>\n

I. Andante sostenuto.
II. Allegro.
III. Allegretto.
IV. Allegro moderato.
V. Allegro grazioso.
VI. Allegretto.
VII. Allegro con brio.
VIII. Andante espressivo.
IX. Allegretto.
X. Allegro.
XI. Allegro bizzaramente.
XII. Allegro moderato.
XIII. Moderato.
XIV. Moderato con moto.
XV. Allegro.
XVI. Andantino capriccioso.
XVII. Adagio con moto.
XVIII. Andante.
XIX. Largo.
XX. Andante con moto.
XXI. Moderato.<\/p>\n

“Tableaux Ukrainiennes” (1926). Dedicated to St\u00e9phane Chapelier.<\/p>\n

II. “Mak-St\u00e9ppe.”
III. “Bandouriste.”
V. “I choum\u00e9\u2026”<\/p>\n

10 Preludes, \u041e\u0440. 56 (1913).
“To my beloved brother Yakiv Stepanovych Akimenko.”
VI. Allegro moderato.<\/p>\n

Oleksandr Oliinyk (piano)<\/p>\n

Photo credit: VERE MUSIC FUND.<\/p>\n

To be notified of the live broadcast, please follow the link\u00a0https:\/\/bit.ly\/4rhOQ9U<\/a>. Even if YouTube interrupts our LIVE (and this happens regularly), this link will still work \u2013 it will direct you to the resumed broadcast page.<\/p>\n

Subscribe to our YouTube channel to see all of our upcoming broadcasts at once:\u00a0www.youtube.com\/c\/VereMusicFund<\/a>.<\/p>\n

See you on February 20!\u00a0\"\u2764\ufe0f\"<\/span><\/p>\n

* * *<\/p>\n

VERE MUSIC HUB
An artistic ecosystem and creative space designed for young musicians and listeners, established by the VERE MUSIC FUND. The hub features an upper hall with 100 seats, ideal for concerts, recordings, masterclasses, lectures, and more, as well as a lower rehearsal hall. It is located at 21\/8 Malopidvalna Street, Kyiv.<\/p>\n

VERE MUSIC FUND
Founded in 2017 by Tetiana Verevska, the VERE MUSIC FUND is a charitable organization that provides grants to Ukrainian musicians, enabling them to participate in international competitions and masterclasses. The Fund also organizes festival projects, educational initiatives, and supports international music competitions held in Ukraine.<\/p>\n

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[vc_row][vc_column][vc_column_text css=””] https:\/\/bit.ly\/4rhOQ9U \u00a0February 20, 7 pm (Kyiv time) or 6 pm (CET) \u2013 VERE MUSIC FUND YouTube channel. Let’s celebrate the 150th anniversary of Ukrainian modernist Fedir Yakymenko together! \u00a0Program: Yakiv Stepovyi 2 Preludes, \u041e\u0440. 12 (1913).\u0406\u0406. Larghetto.“To brother of mine Fedor Stepanovych Akimenko.” Theodore Akimenko “R\u00e9miniscence”. Mazurka, \u041e\u0440. 26 (1904). Dedicated to Mademoiselle […]<\/p>\n","protected":false},"author":14,"featured_media":6278,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[71],"tags":[],"class_list":["post-6277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2026\/01\/live_oliinyk_-copy-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=6277"}],"version-history":[{"count":3,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6277\/revisions"}],"predecessor-version":[{"id":6299,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6277\/revisions\/6299"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/6278"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=6277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=6277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=6277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}