{"id":6567,"date":"2026-05-14T14:21:10","date_gmt":"2026-05-14T12:21:10","guid":{"rendered":"https:\/\/vere.fund\/?p=6567"},"modified":"2026-05-15T12:39:46","modified_gmt":"2026-05-15T10:39:46","slug":"ua-poyasnyuvaty-chy-movchaty-moderna-moderatsiya-kontsertu-majster-klas-lyuby-morozovoyi","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/ua-poyasnyuvaty-chy-movchaty-moderna-moderatsiya-kontsertu-majster-klas-lyuby-morozovoyi\/","title":{"rendered":"To explain or to remain silent: modern concert moderation. Master Class by Liuba Morozova"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]Everyone does this. All musicians. Sooner or later during the concert, you will have to talk about the music you are playing. How and why should this be done?<\/p>\n

This spring, we dedicated three master classes to these eternal questions. Their mentors will be people who have held dozens\/hundreds of concerts and have vast experience in such moderation:<\/p>\n

\u2013 Tetiana Novytska, the National Philharmonic of Ukraine (March).
\n\u2013 Oleksandr Ostrovskyi, the National House of Music (April).
\n\u2013 Liuba Morozova, the Ukrainian Institute \/ Theater Altenburg Gera (May).<\/p>\n

Each master class will begin with an introduction in which the mentor will talk about their experience and approach to preparing and moderating concert programs.<\/p>\n

After that, active participants of the master class will be able to show their performances as program moderators, work on them, and receive practical recommendations from mentors.<\/p>\n

Applications for active participation in Liuba Morozova’s master class can be submitted until May 21 inclusive by email academy@vere.fund<\/a>.<\/p>\n

What should be in the application:<\/p>\n

* Name.
\n* Last name.
\n* Date of birth (day, month, year).
\n* Where you are studying (educational institution, city, country).
\n* Class\/course.
\n* Teacher(s).
\n* Mobile phone.
\n* E-mail.
\n* Facebook page \/ Plus professional Facebook page (if available).
\n* YouTube channel.
\n* The program, moderation of which you would like to work on during the master class.
\n* Please add your creative bio.<\/p>\n

The final list of active participants in the master class will be determined by the mentor. We will announce this information 1-2 days before the master class.<\/p>\n

Additional questions regarding the master class can be sent to the following email address academy@vere.fund<\/a>.<\/p>\n

The master class is part of the VERE MUSIC ACADEMY program.<\/p>\n

* * *<\/p>\n

Liuba Morozova was born in 1981 in Kyiv. She received her education in music history and theory at the Reinhold Glier Kyiv Institute of Music and the Ukrainian National Academy of Music.<\/p>\n

She is the author of over a thousand publications on classical music in Ukrainian, Polish, German, and Danish media. Since 2014, she has been working as a curator and moderator of classical and contemporary music programs \u2014 including for the Bouquet Kyiv Stage, Book Arsenal, Donkult, Galiciyakult, and Odesa Classics festivals, as well as for several concert series. She served as the project curator for the Berlin Philharmonic Orchestra\u2019s Digital Concert Hall in Ukraine.<\/p>\n

From 2018 to 2022, she served as artistic director of the Kyiv Symphony Orchestra. During this period, she hosted the original radio show \u201cE-Sharp\u201d on Hromadske Radio and co-hosted the program #MuzLove<\/strong><\/a> \/ \u201cMusic Lecture Hall\u201d on the television channel UA: Culture. She is the author and lecturer of several courses on the history of Ukrainian music for a general audience, as well as the author of the book \u201cRepressed Music\u201d and the editor and compiler of the anthologies \u201cAnthology of Ukrainian Symphonic Miniatures\u201d and \u201cAnthology of Ukrainian Contemporary Symphonic Miniatures\u201d.<\/p>\n

She co-organized the first conference on Ukrainian music at the Sorbonne University, titled “Les avant-gardes musicales ukrainiennes: des ann\u00e9es 1910 jusqu\u2019\u00e0 la sc\u00e8ne contemporaine.<\/p>\n

Since 2023, she has been working as a dramaturg for concerts and ballet at Theater Altenburg Gera (Germany). Since that same year, she has served as the program manager for the \u201cMusic\u201d department at the Ukrainian Institute.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]Everyone does this. All musicians. Sooner or later during the concert, you will have to talk about the music you are playing. How and why should this be done? This spring, we dedicated three master classes to these eternal questions. Their mentors will be people who have held dozens\/hundreds of concerts and have vast […]<\/p>\n","protected":false},"author":14,"featured_media":6568,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[71],"tags":[],"class_list":["post-6567","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2026\/05\/Alina-Harmash_morozjpg.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=6567"}],"version-history":[{"count":3,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6567\/revisions"}],"predecessor-version":[{"id":6572,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6567\/revisions\/6572"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/6568"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=6567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=6567"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=6567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}