{"id":6900,"date":"2026-08-21T16:29:47","date_gmt":"2026-08-21T14:29:47","guid":{"rendered":"https:\/\/vere.fund\/?p=6900"},"modified":"2026-08-21T16:34:06","modified_gmt":"2026-08-21T14:34:06","slug":"ua-shuman-frank-bah-ne-dlya-violoncheli-artem-poludennyj-violonchel-yana-kalenchuk-fortepiano","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/ua-shuman-frank-bah-ne-dlya-violoncheli-artem-poludennyj-violonchel-yana-kalenchuk-fortepiano\/","title":{"rendered":"Schumann \/ Franck \/ Bach: Not for Cello. Artem Poludennyi (cello), Yana Kalenchuk (piano)"},"content":{"rendered":"

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\"\u26a1\ufe0f\"<\/span>\u00a0September 12, 7 pm
VERE MUSIC HUB
(21\/8 Malopidvalna St., Kyiv)
Entry by invitation.
Registration link:\u00a0https:\/\/forms.gle\/8bG6uYXCRtKZxCiy9<\/a>.<\/p>\n

The program brings together works that are difficult to imagine today without in the concert repertoire of a cellist. They are regularly performed on stage, included in educational programs, and have become an integral part of the professional tradition. Yet they all share one distinctive feature: none of them was originally written for cello.<\/p>\n

Johann Sebastian Bach\u2019s Sonata was written for viola da gamba and harpsichord, Robert Schumann\u2019s Fantasiest\u00fccke for clarinet, and C\u00e9sar Franck\u2019s Sonata for violin. Over time, these works have become such an organic part of the cello repertoire that today they are perceived almost as if they were \u201cnative\u201d to the instrument.<\/p>\n

This program invites us to look at these well-known works through the lens of their origins while also exploring how music can transcend the boundaries of the instrument for which it was originally conceived.<\/p>\n

\"\ud83c\udfb6\"<\/span>\u00a0Program:<\/p>\n

Johann Sebastian Bach
Sonata for Viola da Gamba and Harpsichord in D major – version for cello and piano, BWV 1028 (1730\u201340).<\/p>\n

I. Adagio
II. Allegro
III. Andante
IV. Allegro<\/p>\n

Robert Schumann
Fantasiest\u00fccke, Op. 73 (1849).<\/p>\n

1. Zart und mit Ausdruck.
2. Lebhaft, leicht.
3. Rasch und mit Feuer.<\/p>\n

C\u00e9sar Franck
Violin Sonata in A major, CFF 123 (1886). Dedicated to Eug\u00e8ne Ysa\u00ffe.<\/p>\n

I. Allegretto ben moderato
II. Allegro
III. Recitativo-Fantasia: Ben moderato
IV. Allegretto poco mosso<\/p>\n

Artem Poludennyi (cello)
Yana Kalenchuk (piano)<\/p>\n

Photo credit: VERE MUSIC FUND.<\/p>\n

* * *<\/p>\n

VERE MUSIC HUB
This is an artistic ecosystem \u2013 a space for young musicians and listeners created by the VERE MUSIC FUND. It consists of an upper hall with 100 seats for concerts, recordings, master classes, lectures, etc. and a lower rehearsal hall. The venue is located at 21\/8 Malopidvalna Street, Kyiv.<\/p>\n

VERE MUSIC FUND
A charitable fund established in 2017 by Tetiana Verevska. The Fund provides grants to Ukrainian musicians to participate in international competitions and master classes, and implements festival projects and educational initiatives. It also supports international music competitions in Ukraine.<\/p>\n

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[vc_row][vc_column][vc_column_text css=””] \u00a0September 12, 7 pmVERE MUSIC HUB(21\/8 Malopidvalna St., Kyiv)Entry by invitation.Registration link:\u00a0https:\/\/forms.gle\/8bG6uYXCRtKZxCiy9. The program brings together works that are difficult to imagine today without in the concert repertoire of a cellist. They are regularly performed on stage, included in educational programs, and have become an integral part of the professional tradition. Yet they […]<\/p>\n","protected":false},"author":14,"featured_media":6902,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[71],"tags":[],"class_list":["post-6900","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2026\/08\/artem_yana_REV_CUT_WIDE-copy-scaled.jpg?wsr","_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=6900"}],"version-history":[{"count":4,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6900\/revisions"}],"predecessor-version":[{"id":6906,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6900\/revisions\/6906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/6902"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=6900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=6900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=6900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}