{"id":6973,"date":"2026-09-19T17:34:35","date_gmt":"2026-09-19T15:34:35","guid":{"rendered":"https:\/\/vere.fund\/?p=6973"},"modified":"2026-10-13T02:16:46","modified_gmt":"2026-10-13T00:16:46","slug":"ua-bartok-hidash-kovach-vajner-olena-bershadska-skrypka-myhajlo-beznosyk-klarnet-yevgenij-logvynovskyj-fortepiano","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/ua-bartok-hidash-kovach-vajner-olena-bershadska-skrypka-myhajlo-beznosyk-klarnet-yevgenij-logvynovskyj-fortepiano\/","title":{"rendered":"Weiner, Kov\u00e1cs, Bart\u00f3k, Hidas. Olena Bershadska (violin), Mykhailo Beznosyk (clarinet), Yevhenii Lohvynovskyi (piano)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]\u26a1\ufe0f October 13, 7 pm<br \/>\nVERE MUSIC HUB<br \/>\n(21\/8 Malopidvalna St., Kyiv)<br \/>\nEntry by invitation.<br \/>\nRegistration link: <a href=\"https:\/\/forms.gle\/1TLxGncGSAFGjgts8\">https:\/\/forms.gle\/1TLxGncGSAFGjgts8<\/a>.<\/p>\n<p>\ud83c\udfb6 Program:<\/p>\n<p>Le\u00f3 Weiner<br \/>\nPeregi verbunk \u2013 Hungarian Dance for Clarinet and Piano, Op. 40 (1951). Dedicated to P\u00e1l Luk\u00e1cs.<\/p>\n<p>B\u00e9la Kov\u00e1cs<br \/>\nHommage to B\u00e9la Bart\u00f3k for Solo Clarinet, from the Hommages cycle (1994).<\/p>\n<p>B\u00e9la Bart\u00f3k<br \/>\nRomanian Folk Dances (transcription by Zolt\u00e1n Sz\u00e9kely for Violin and Piano), BB 68, Sz. 56 (1925).<\/p>\n<p>1. Jocul cu b\u00e2t\u0103 \/ Bot t\u00e1nc.<br \/>\n2. Br\u00e2ul.<br \/>\n3. Pe loc \/ Topog\u00f3.<br \/>\n4. Buciumeana \/ Bucsum\u00ed t\u00e1nc.<br \/>\n5. Poarga rom\u00e2neasc\u0103 \/ Rom\u00e1n polka.<br \/>\n6. M\u0103run\u021bel \/ Apr\u00f3z\u00f3.<\/p>\n<p>Frigyes Hidas<br \/>\nFantasy for Clarinet and Piano (1965).<\/p>\n<p>B\u00e9la Bart\u00f3k<br \/>\nRhapsody No. 1 for Violin and Piano, BB 94a, Sz. 86 (1928). Dedicated to Joseph Szigeti.<\/p>\n<p>I. Lass\u00fa. Moderato<br \/>\nII. Friss. Allegretto moderato<\/p>\n<p>B\u00e9la Bart\u00f3k<br \/>\nContrasts for Violin, Clarinet and Piano, BB 116, Sz. 111 (1938). Dedicated to Benny Goodman and Joseph Szigeti.<\/p>\n<p>I. Verbunkos (Recruiting Dance)<br \/>\nII. Pihen\u0151 (Relaxation)<br \/>\nIII. Sebes (Fast Dance)<\/p>\n<p>Olena Bershadska (violin)<br \/>\nMykhailo Beznosyk (clarinet)<br \/>\nYevhenii Lohvynovskyi (piano)<\/p>\n<p>Photo credit: VERE MUSIC FUND.<\/p>\n<p>* * *<\/p>\n<p>VERE MUSIC HUB<br \/>\nThis is an artistic ecosystem \u2013 a space for young musicians and listeners created by the VERE MUSIC FUND. It consists of an upper hall with 100 seats for concerts, recordings, master classes, lectures, etc. and a lower rehearsal hall. The venue is located at 21\/8 Malopidvalna Street, Kyiv.<\/p>\n<p>VERE MUSIC FUND<br \/>\nA charitable fund established in 2017 by Tetiana Verevska. The Fund provides grants to Ukrainian musicians to participate in international competitions and master classes, and implements festival projects and educational initiatives. It also supports international music competitions in Ukraine.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]\u26a1\ufe0f October 13, 7 pm VERE MUSIC HUB (21\/8 Malopidvalna St., Kyiv) Entry by invitation. Registration link: https:\/\/forms.gle\/1TLxGncGSAFGjgts8. \ud83c\udfb6 Program: Le\u00f3 Weiner Peregi verbunk \u2013 Hungarian Dance for Clarinet and Piano, Op. 40 (1951). Dedicated to P\u00e1l Luk\u00e1cs. B\u00e9la Kov\u00e1cs Hommage to B\u00e9la Bart\u00f3k for Solo Clarinet, from the Hommages cycle (1994). B\u00e9la Bart\u00f3k [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":6975,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[100,71],"tags":[],"class_list":["post-6973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vere-music-hub","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2026\/09\/log_trio_oct_REV-copy-scaled.jpg?wsr","_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=6973"}],"version-history":[{"count":4,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6973\/revisions"}],"predecessor-version":[{"id":7054,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/6973\/revisions\/7054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/6975"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=6973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=6973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=6973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}