{"id":7002,"date":"2026-09-25T09:18:46","date_gmt":"2026-09-25T07:18:46","guid":{"rendered":"https:\/\/vere.fund\/?p=7002"},"modified":"2026-10-13T02:12:30","modified_gmt":"2026-10-13T00:12:30","slug":"ua-150-rokiv-bajrojtskomu-festyvalyu-shho-tam-i-shho-nam-iz-togo-zustrich-z-oleksandroyu-chebotar","status":"publish","type":"post","link":"https:\/\/vere.fund\/en\/ua-150-rokiv-bajrojtskomu-festyvalyu-shho-tam-i-shho-nam-iz-togo-zustrich-z-oleksandroyu-chebotar\/","title":{"rendered":"150 Years of the Bayreuth Festival: What Happens There \u2013 and What Does It Mean for Us?"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">A conversation with musicologist Oleksandra Chebotar, who attended this year\u2019s anniversary festival in Bayreuth thanks to the Kyiv Wagner Society and the Richard Wagner Scholarship Foundation. She is now ready to share her impressions with us.<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\"><span class=\"html-span xexx8yu xyri2b x18d9i69 x1c1uobl x1hl2dhg x16tdsg8 x1vvkbs x3nfvp2 x1j61x8r x1fcty0u xdj266r xat24cr xm2jcoa x1mpyi22 xxymvpz xlup9mm x1kky2od\"><img loading=\"lazy\" decoding=\"async\" class=\"xz74otr x15mokao x1ga7v0g x16uus16 xbiv7yw\" src=\"https:\/\/static.xx.fbcdn.net\/images\/emoji.php\/v9\/tde\/2\/16\/26a1.png\" alt=\"\u26a1\ufe0f\" width=\"16\" height=\"16\" \/><\/span> September 28, 7 pm \u2013 VERE MUSIC HUB (Kyiv, 21\/8 Malopidvalna St.)<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">FREE ENTRY.<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">Every summer, people travel to Bayreuth, Germany, to listen to Wagner \u2013 and to argue about what has been done with his operas this time.<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">Musicologist and radio host Oleksandra Chebotar will share her experience of the Bayreuth Festival: how the festival works, what happened this year, which productions captivated audiences and which raised questions. We\u2019ll talk about special events, directorial choices, and the controversies surrounding AI.<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">And then we\u2019ll turn the conversation to ourselves.<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">What can the Bayreuth experience offer Ukrainian music?<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">How can we make sure that a rediscovered opera doesn\u2019t disappear again after its first production?<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">How freely can we reinterpret the classics?<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">And how does an audience emerge that keeps coming back every year \u2013 even when it is outraged by what it sees?<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">There will be plenty of opera excerpts, so we can listen, watch, and argue for ourselves. Among them, we\u2019ll look at excerpts from the historic premiere of Rienzi and talk about why it took Bayreuth 150 years to finally stage it.<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">* * *<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">Oleksandra Chebotar is a PhD student at the National Music Academy of Ukraine, researching French Romantic opera.<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">She has presented her research in Ukraine and abroad, including at conferences of the Croatian Musicological Society (From Private to Public: The Institutionalization of Bourgeois Musical Culture in the 19th Century, 2025) and the University of Cambridge (France: Music, Culture 1789\u20131918, 2025).<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">Since 2024, she has been a host of music programmes on Radio Culture. As a music journalist, she has collaborated with The Claquers and Kyiv Daily, and as a writer with the Ukrainian Radio Orchestra and the National Presidential Orchestra. In 2026, she participated in the Fellowship for Mediamakers programme by the Media Development Foundation (Ukraine) and Media in Cooperation and Transition (Germany).<\/p>\n<p class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">She is a laureate of the Liudmyla Kaverina Award for Young Musicologists (2025) and has twice received the President of Ukraine\u2019s Scholarship for Young Artists (2025, 2026). In August 2026, she received a grant from the Richard Wagner Scholarship Foundation to attend the Bayreuth Festival.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] A conversation with musicologist Oleksandra Chebotar, who attended this year\u2019s anniversary festival in Bayreuth thanks to the Kyiv Wagner Society and the Richard Wagner Scholarship Foundation. She is now ready to share her impressions with us. September 28, 7 pm \u2013 VERE MUSIC HUB (Kyiv, 21\/8 Malopidvalna St.) FREE ENTRY. Every summer, people [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":7004,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[100,71],"tags":[],"class_list":["post-7002","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vere-music-hub","category-proekty"],"acf":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/vere.fund\/wp-content\/uploads\/2026\/09\/ChatGPT-Image-Sep-25-2026-10_14_08-AM.png?wsr","_links":{"self":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/7002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/comments?post=7002"}],"version-history":[{"count":4,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/7002\/revisions"}],"predecessor-version":[{"id":7050,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/posts\/7002\/revisions\/7050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media\/7004"}],"wp:attachment":[{"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/media?parent=7002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/categories?post=7002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vere.fund\/en\/wp-json\/wp\/v2\/tags?post=7002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}